Monday, January 28, 2019

Sunday thoughts

I did not realize that he had not heard the song before. The car stereo displayed the name of the song as the music leading to the song started playing. He looked at the name and announced he liked the song already and when the verse came on, he claimed this to be the best song on the planet. He stretched out his hands and started singing "Tell me why I don't like Mondays" every time the verse came on. This was the anthem that he was waiting for.

Who loves a Monday morning? Not many I am sure. In a way, I believe this is an anthem for almost every school, college and office goer. I think it is ironic that I write these lines on a Monday morning. Fortunately, I am not looking at this Monday morning as another Monday morning. So a few lines jump out of my head on to this page.

I did not care for the lyrics of the song beyond the verse mentioned above. I heard somethings being sung about Telex machines and Silicon chips. So I checked the lyrics for the song and came across the page that also gave the history associated with the song. The site, genius.com says that the song is inspired by the following incident.

On the Monday morning of January 29, 1979, 16 year-old Brenda Spencer opened fire on the elementary school across the street from her family home. Using a .22 caliber rifle, she killed two adults and injured eight students as well as a police officer. Before giving herself up to the police, she spoke to a reporter on the phone regarding her motive. She said "I just started shooting, that’s it. I just did it for the fun of it. I just don’t like Mondays. I just did it because it’s a way to cheer the day up. Nobody likes Mondays."

Now, the verse "I don't like Monday mornings" has lost its innocuous frustration.


*******************
After all these years, the art getting an effective haircut eludes me still. The situation has become worse with the advent of the trimming of the beard. I take off my spectacles, close my eyes and get myself ready for the hair cut. The person with the scissor or "machine" asks certain questions about how I desire to look at the end of the session and regardless of what I answer I never get what I want. So these days, I response alternates between 'yes' and 'no'. From time to time, I add in the word 'short'. None of it matters, for the guy with the scissor has decided what to do with my hair and beard the minute he has seen my face. All his questions are asked to give me the false satisfaction of being in control. The rules of democracy exist in the barber shop (or saloon) too.

Sunday, January 27, 2019

Pant that elephant

He had lived the few years of his life on the planet happily. He liked playing and being taken care of. His curiosity ensured that he loved to question everybody who crossed his path. We humans have thresholds as far as questions are concerned. We usually cannot take more than 5 unrelated questions at a time. If the questions are related, the one who is asking should stop after the second question. Fortunately for humans, we learn this rule of life only after reaching schools else humans would have been extinct by now. Since he had not begun his formal education yet, he was not aware of this rule.

That day was a good day for him. I mean all his days were good but the days he spent at his grandparent’s house were better. To top it his lazy uncle honoured him by visiting him. The uncle had locked his laziness in a cupboard prior to visiting. So the day was spent in playing and answering questions. In the afternoon, the boy's father decided to take the boy and the uncle to a zoo close by. Zoos involved walking and the uncle usually did not visit them. But on that day, he was not his usual self and so agreed readily.

The zoo turned out to be like a zoo. There were a few animals and birds locked up in cages. Humans in the 20th century did not have the fine sensibility of their counterparts in the 21st century. So their hearts did not bleed for the cruelty meted out towards their fellow planet-mates. As a result, many humans during the 20th century actually enjoyed watching animals, birds and reptiles in a cage. The elephants did not live in cages though. Maybe were too big for cages. But that does not mean their lives were better than the lives of the caged animals. Humans ensured that the elephants too had their share of misery.

During the walk through the zoo, they encountered an elephant, which was shaking its head. When I say “encountered” I mean the default font size “encountered” and not a size 32 red coloured bold “encountered”; the one that means “casual meeting with someone”. One look at the animal was sufficient for the grownups to realize that the elephant was a bull. The boy was too young to understand this vital information but he was intrigued by something that hung between the elephant's hind legs. He searched through his head and found all the information he had about elephants.

Trunk – check
Mouth - check
Ears - check
Eyes - check
Body - check
Tail - check
Legs – check
That thing between the hind legs – uncheck

He was stumped. He had many pictures of elephants and none of them had it. Even the live ones he had seen did not possess that thing. What was this thing? There was only one way for him to find.
"Papa, what is that hanging between the elephants legs?"

There was a stunned silence. The father nearly tripped on a non-existent stone. He looked at the elephant and then his son. He did not look at the uncle, who did not look at him either for he was studying the greyness of the road with great intent. The father cleared his throat and said "that is its leg, beta."
"No papa. Not the legs. They are on the sides. What about that thing between the elephant's hind legs?"
"That's the tail, beta".
"No papa. The tail is on the elephant’s back. Can't you see the elephant swaying its tail? I am talking about that" said the little master of curiosity pointing at his object of interest.

By now, the father and uncle were sweating. The uncle did not dare to stop studying the beauty of the road. As the questions were addressed at the father, he had no choice but to answer the question. "Beta, that is the elephant's trunk." The boy was by now losing his patience and repeated his query by providing detailed description of the object in question. The father and uncle looked at each other shocked. The father pushed the boy along saying "Chalo beta it's getting dark." The boy walked unhappily; from time to time he turned back and looked at the elephant and its odd attachment.

Many years have passed and the boy has grown up enough to not ask too many questions. In a week’s time, he will be married and for his own sake, I hope his passion for questions would reduce further.

Thursday, January 17, 2019

Wasted Investigation

Its been a year since Inspector Vasu died. Like his many cases, mystery shrouds his death. He was found dead at the bottom of the stairs in his house. A case of unnatural death was quickly converted into a case of accidental death. I am not sure but Inspector Vasu probably sang Metallica's "Frantic". He must have been singing "My lifestyle determines my death style" as he walked down the stairs. His death seemed like a page out of one of his case diaries. 

Inspector Vasu was both an inspirational and a comic figure. But he is not real. He is a character from a TV series based on a real life inspector. The inspector whose name has never been published is believed to be held in high respect by the police and criminals. But many mock him as many of his cases were deemed unsolved. After his death, the details of his unsolved cases reached a newspaper from an unspecified destination. The people at the newspaper could not believe their luck and started publishing the cases. Thus, Inspector Vasu, rose from ashes after 30 long years.

I don't read newspapers but I started reading the Sunday edition of the newspaper to know more about the inspector's cases. I was interested in a specific case. I had written about it five years ago. The inspector was investigating the murder of Gundu Mama. You can find the details of the case here - Inspector Vasu investigates Case VR28391. Last week, the Sunday edition carried details of the case. This sounded slightly different from Inspector Vasu's version as this comes from the horse's mouth. I start the narration from where I had left.

... I was perplexed by the development. Situation seemed to point to the watchman as the killer of the fat man. Prakash is playing trying to place his role of innocence to the T. He claims that he has a perfect alibi. I don't believe him yet. As a matter of fact, I don't believe any human being. Given the right circumstance, anyone can commit a crime. All our brains seem to have a small location designated for crime. Fortunately, it seems to be buried in a remote part of our brain and we don't use it at most times. So Prakash is still a suspect though he has come to the Police by himself. I don't believe this fellow Kittu either. He only utters nonsense and no man in his senses can utter such nonsense. I have a feeling he is putting up an act. He wants us to believe he is stupid and thus take the suspicion off him. Unfortunately, he ran into me.

I don't believe the watchman is a killer. That seems to go against my logic of all humans are capable of committing a crime. No, it does not. He could have committed a crime but I don't think he is the killer. Let me jot down the unanswered questions and try to find the responses for these.
  1. Who came to the house with the victim that morning? All we know is that he was big and tall. He was wearing a green shirt and he carried a brown suitcase.
  2. What happened to him? What happened to the brown suitcase? Not known yet.
  3. What about the Triple 5 cigarette butt? The victim does not smoke. I am not sure about the others. Wait a minute, Prakash smokes. He smoked right in front of me. Which brand did he smoke? Oh God! I did not notice. Prakash is definitely not off the hook.
  4. What happened to the watchman? I have to get details.
XX/XXX/19XX
If the criminal leaves all the required clues at the murder spot then the Police force would not be required.

The watchman has disappeared without trace. He is from Calcutta. Bakshi visited the watchman's home at Calcutta. He has not been seen near his house in the last few days. They received the usual weekly call a day prior to the murder. He can still be considered a suspect but I don't think he has the ability to kill. I have no idea of Prakash's whereabouts. I went to the victim's house but Kittu was not present either. No one knows where they are. It all seems terribly suspicious. The postmortem has not thrown any surprises either. It has given one information though. The victim had died off a single stab. He was killed by a person with a sure hand, which, in my opinion, takes the watchman off the list of suspects. Its been a frustrating day. The case has not gone anywhere.
  1. The watchman continues to be missing.
  2. Prakash and Kittu are not traceable.
  3. The victim was killed by a person with a sure hand.
  4. The tall and big man in the green shirt remains a mystery.
XX/XXX/19XX
Today was better than yesterday. Kittu and Prakash landed at the station this morning. They were very apologetic and nervous. I get the feeling they know something that they don't want to reveal. Something has happened since I have met them. They tried to convince me that the watchman is the killer. They gave details of an incident between the watchman and victim. They said that the the watchman had stolen a few Rupees from the victim and there was a big fight among the two. They claimed that the watchman might have killed the victim in revenge and would have stolen the money in the brown suitcase. I wanted to question them about the new angle they have brought in with the money in the suitcase but let them go. I need to find more about the victim. My hopes to solve this case without effort is dashed. Why should every case I handle be so convoluted? Why can't the culprits drop some obvious clues at the crime spot?

I visited the crime site and talked to the victim's neighbours about the victim and the watchman. I realized that there is more to the victim than being Kittu's affectionate Gundu mama. The man had a feisty personality and was liked and disliked almost equally by all. A number of people visited him and many a times discussion went on loud till late in the night. The discussions were always loud and the neighbours found it difficult to differentiate them from arguments. Once one of the neighbours complained about the noise. The victim and Kittu mercilessly hurled abuses at him. "If the neighbour had not backed off, he would probably have been beaten" said one of his neighbours. A few of them also talked about Prakash. They did not like him at all and his behaviour with women was disturbing for all. Its time, I had a talk with these fellows.

XX/XXX/19XX
Where the hell is Kittu and Prakash? What the hell are these two upto?

XX/XXX/19XX
Some might call my meeting with Kittu and Prakash as interrogation but I think of it as discussion. I did not threaten them in any manner. I had to be firm in a few occasions but these did not involve any form of verbal or physical threats; only changes in my voice modulation and facial expressions. Thanks to the discussion, I can feel a glimmer of hope. Let me see if I can reproduce the discussion.

Me: Why do you two keep disappearing?
Kittu: We were here only Sir.
Prakash: Very much here only Sir.
Me: Can you tell where this 'here' is? I was at you residence yesterday and did not find either of you. None of the people were aware of your location. There was no response from the phone number you had provided. So where is 'here'?
Prakash: In the city only, Sir. Just going here and there, Sir.
Me: You like to go around in circles is it? I have a lot of time and have always loved going around in circles. So, please, explain to me 'here' and 'there'.
Prakash: I don't understand, Sir.
Me: I want to know where you were yesterday. Every place you visited with the timings, exact location and the reason why you visited them.
Kittu: Oh! We went to a lot of places, Sir.
Prakash: Too many places to remember, Sir.
Me: Are you two kidding me? You two better come out with the details. Now! (I shouted this out while pulling up one of my eyebrows for effect.)
Kittu: Sir, we had breakfast at Drive-in. Then we visited a friend at Alwarpet. He wanted to express his condolence...
Me: Wait a minute! People who want to express condolence usually visit you. Why did you visit him?
Prakash: He was afraid of visiting Gundu's place. He believes in spirits and ghosts.
Me: Give me his name and details. 

I gave a piece of paper and pen to Kittu. Prakash grabbed them from Kittu and wrote down the details. I took the paper from them and gave it to my subordinates for verifying. When I came back to the room, I saw Kittu and Prakash discuss in whispers. They seemed disturbed. I asked them to sit outside. I decided to check the validity of the person and address. An hour later, I got the confirmation I expected. The details provided were fake. I called the two of them back. Once they settled down, I went close to them, sat of the table and looked down upon them.

Me: The details you provided were fake.

I said this very quietly and waited for a response. None came by. Their frightened looks reminded me of children looking at their angry parents. I knew the time was right for an explosion.

Me: Did you actually think that I will not verify the name and address you provided? The address does not exist. The two of you better come out with the truth. 

The two of them looked at each other without saying anything. I waited for a moment before letting out an explosive "now". It was then that Prakash started talking. "The day after the murder we got a phone call from an anonymous caller. He said that he will call us from time to time to find the information about the case. He also said that if we get to know something we have to inform him first. We were not sure what he was talking about and said we had no information. He repeated that if we found any information we should inform him first.We asked him about his identity. He said he was working for a powerful person who was powerful enough to take care of us and ended the call. We got scared and we left the house. 

Yesterday, while we were walking towards the beach, a car with tinted glasses stopped besides us and some people pushed us into the car from behind. We were blindfolded and taken to some place. There a few people questioned us about the brown briefcase. When we said we did not know about it, they asked us to inform them if we got it. They said they will call us from time to time and we have to give any information we have to them."

The incidents that Prakash recounted reminded me of incidents from one of the detective movie. I told him so but he swore upon the Gods and his ancestors about the truthfulness of the incidents. At that moment, I had no choice but to accept his words. I asked for the time at which he received the call and inquired with the Telephone exchange about the caller's details. A few hours later, I was told that the call came from a public phone in Purasawakkam. I noted the details and decided to visit the victim's apartment to have a look at the place. If Prakash's narration was true, a brown briefcase should be present in the premises.

I searched the house but found nothing. I searched the ground around the house and found nothing. I went up the stairs and searched the terrace but found nothing. I climbed the steps and checked inside water tank but found nothing besides water and algae. The water tank was a height of three feet from the floor. I crawled into the small space and checked it. I found nothing. I was struck by an idea. I tapped the floor underneath the water tank. It sounded hollow in a few place. Soon I found a stone that was loose. I pried it open and found myself staring at a brown briefcase. I controlled my temptation to take it out. The existence of the suitcase confirmed Prakash's narration. This would probably mean that the place was being watched. I carefully placed the stone back, posted two police men to guard the terrace and left.

I will leave in another 15 minutes and get the briefcase without anyone noticing it hopefully.

XX/XXX/19XX (2 days after the last entry)
I found the brown briefcase where I had left it earlier that day. I took it out carefully and climbed down through the pipes. I was not sure, if someone was observing still and decided to use the cover of the night. I did not take the briefcase to the police station, instead I checked into one of the lodges near the victim's house. I opened the briefcase and found that it contained a single document. I took it out and went through it. It was a will document, which specified the transfer of a person's property to a lady. The Testator's name seemed familiar. I sat back and searched my head some more but I could not find any further reference to these names in it. I went through the will and kept it back in the briefcase.

Next morning, I asked the my subordinate to find details of the two persons named in the will. He came back fifteen minutes later and said "Sir, the man was a famous industrialist who died recently." I did not remember the industrialist and so asked him to explain. He said that six month ago the seventy year old industrialist had fallen from the Tamilnadu express. There was some investigation but it was found that he had died when the door closed suddenly on him as he was brushing his teeth. They could not trace the lady's name immediately but was on the lookout for information. I decided to find more about the industrialist's family. He had three sons who were taking care of the organizations he had started. All of them were stellar citizens who took part in various public events and were known for their philanthropic nature. All the well known personalities of the city hobnobbed with them. The plot was thickening beyond my imagination.

Three hours later, I received the information about the lady. She had died two months ago. Apparently she had slipped and fallen from her balcony. Gundu mama's case seemed trivial in comparison to what was emerging. But I had nothing in my hands other than speculation. The people involved were powerful and it would have been difficult to catch them with solid evidence. What can one do with speculation?

I spent the day in finding a relation between the industrialist and the lady but could not find anything. They lived in different location, worked in unrelated fields and moved around in unrelated circles. I could not uncover any connection between the two, not even in the gossip circles. I only had two connections between them. First, she was the beneficiary of his will and both had died within a space of four months. This more than anything else tells a story but I am unable to discover anything beyond it.

The next morning, I met the Commissioner early in the morning. I explained to him the case, right from the moment Kittu's phone call landed in the station. At the end of the narration, I showed him the briefcase with the will document. He went through the story and the will quietly. He looked up at me and stared at my face for some moment before saying "Why do you land up with such cases? This is the fourth time you have come to me with such a case. What do you think we should do?"  I wanted to confront the three brothers with the will document and the latest murder. The Commissioner was skeptical "What will you confront them with? How will you prove the genuineness of the document? How will connect all this to them? How can you go beyond speculation?" I did not have an answer to his questions. He asked me if I had found any relation between the latest victim and the industrialist. I had checked but could not find any relation. I speculated that probably the man in the green shirt was related to the industrialist. The Commissioner laughed and said "You cannot go anywhere with this case. You will ruffle a few feathers and then be transferred to some Godforsaken place. Is that what you want?" I obviously did not want that happen.

The Commissioner advised me blame the watchman and close the current murder case. He said "For all you know, the watchman might be a hired killer. Did you not mention that he has been around for only a few weeks? He disappeared after the murder too. So he is probably the culprit. So assign the murder on him, put out a search for him and close the case. Move on!" I asked what's to be done with the brown briefcase and the will. He asked me to leave it with him.

It has been decided! The watchman is the murderer. We are searching for him and have published his photographs in the newspapers and posters. We are on the lookout for a murderer.

Yet another case ends up in the depths of this book. It cannot see the light of the day.

Sunday, January 13, 2019

Care or was it fair?

Calm and serene with a smile on my lips
Looking at my plate of fish and chips
Train of thought derailed by food
All contemplations placed under the hood
Inside my mouth saliva runs wild
For the dish's fragrance was not mild
Piece by piece fish goes up and then down
A living being disappears with no one to mourn
Though fishes have a few to support
No one guards the potato's fort
Fishes are necessary for oceans to prosper
Farmer prospers by selling the tuber
Fish on a dish may disgust many
To cry for a potato sounds funny
Violence is not violence in all cases
No one cares for what the potato faces

People care for some, ignore the rest
"Its a fair world" will not pass the test
Everything one sees in this world
Lay hidden within one's folds
Beliefs that we trust in are formed
Through prejudices, well framed
While one cares for a few
Others are not given their due
Violence follows violence with no care
For its not our life, so it's all fair
Happy fishes saddened by nets
Taters waiting for their turn in their beds
Deep in my head no smiles exist
Buried memories, though unpleasant I can't resist
Swimming here and there; running into each other
Till I can bear it no more.

Monday, January 7, 2019

Saki

My interest in the English language (not its grammar) comes from a few people. One is a friend and another a teacher. The remaining are authors; four of them - P G Wodehouse, H.H.Munro (Saki), R K Narayanan, Ruskin Bond, Robert Pirsig and V S Naipul. Sorry, I got the number wrong. Its not four, its six. I don't believe there are any more. I owe this blog to these eight persons. Though my English is influenced by these mentioned names I cannot claim my ability in the use of the language is any where close to theirs.

Of the list, I would directly attribute my writing style to P G Wodehouse and to some extent Saki. The former's irreverence for everything on this planet amazed me from my early days of reading. His description of an ant's anger when it nearly gets killed by one of the characters kicking the gravel in frustration seems believable. I can actually picture the ant stare at him, shake its ant head and walk away. His writing made me understand that life is a joke and that every one of us on this planet is a joker who believes he/she is doing something wonderful. Saki, in his brief life, took this philosophy to its ridiculous limits. His black humor has not been surpassed by many. If he had not been killed by the first World War, his black humour would have probably pushed many to suicide. During my high school, I went through a short story named "Mrs. Packletide's Tiger".  Its a ridiculous and yet plausible story. Yesterday (4 Jan 2019), I found a short story in my wall on the Facebook. A very amusing tale that had to be saved for posterity and so is presented below.

Before you get to Saki, let me go through a distraction. A friend of mine informed me that my writing style reminded her of Umberto Eco. I felt honoured and shocked at the same time. Umberto Eco is a respected name in the world of books. I had read his book "Foucault's pendulum" with great difficulty and did not like it. It seemed disjointed and I was not able to get into the book. Eco built the suspense through the book and ended it in an annoying anti-climax. Looking back, I think the content of the book was strong, probably. It was the way it was written. I understand that the book was written in Italian and was translated to English.  It probably got lost in the translation. For example, the text in Malayalam "jnanavanodavidapoyinne paranjappo avan chodichu nee endhinanavidepoyadhe" can either be translated as "I said I went there. He asked why did you go there?" or it can be closer to the original by becoming "When I said I went there, he asked why did you go there?" The translation is entirely dependent on the translator preference between "Blah. Blah" or "blah blah" styles of writing.

As an aside to the distraction, I find it interesting that the last part of the above paragraph came to me in the night between wake and sleep. I got up and noted these lines on my mobile and went back to bed.

She handed over to me a book of essays titled "How to travel with a Salmon and other essays". As I started reading the book, I understood her thinking. He basically mocked everything he wrote about. On reading this book, I felt "Foucalt's Pendulum" probably mocked everything scientific and religious. I got the feeling as I read the book too but it was too haphazardly written for me to enjoy. As enjoyable as the book of essays is,  I don't plan to go back and read the novel in an attempt to change my opinion.

But I did not start this write up to talk about Wodehouse or Eco. Saki's short story pushed me into it.

The Remoulding of Groby Lington by Saki
“A man is known by the company he keeps.”

In the morning-room of his sister-in-law’s house Groby Lington fidgeted away the passing minutes with the demure restlessness of advanced middle age. About a quarter of an hour would have to elapse before it would be time to say his good-byes and make his way across the village green to the station, with a selected escort of nephews and nieces. He was a good-natured, kindly dispositioned man, and in theory he was delighted to pay periodical visits to the wife and children of his dead brother William; in practice, he infinitely preferred the comfort and seclusion of his own house and garden, and the companionship of his books and his parrot to these rather meaningless and tiresome incursions into a family circle with which he had little in common. It was not so much the spur of his own conscience that drove him to make the occasional short journey by rail to visit his relatives, as an obedient concession to the more insistent but vicarious conscience of his brother, Colonel John, who was apt to accuse him of neglecting poor old William’s family. Groby usually forgot or ignored the existence of his neighbour kinsfolk until such time as he was threatened with a visit from the Colonel, when he would put matters straight by a hurried pilgrimage across the few miles of intervening country to renew his acquaintance with the young people and assume a kindly if rather forced interest in the well-being of his sister-in-law. On this occasion he had cut matters so fine between the timing of his exculpatory visit and the coming of Colonel John, that he would scarcely be home before the latter was due to arrive. Anyhow, Groby had got it over, and six or seven months might decently elapse before he need again sacrifice his comforts and inclinations on the altar of family sociability. He was inclined to be distinctly cheerful as he hopped about the room, picking up first one object, then another, and subjecting each to a brief bird-like scrutiny.

Presently his cheerful listlessness changed sharply to an attitude of vexed attention. In a scrap-book of drawings and caricatures belonging to one of his nephews he had come across an unkindly clever sketch of himself and his parrot, solemnly confronting each other in postures of ridiculous gravity and repose, and bearing a likeness to one another that the artist had done his utmost to accentuate. After the first flush of annoyance had passed away, Groby laughed good-naturedly and admitted to himself the cleverness of the drawing. Then the feeling of resentment repossessed him, resentment not against the caricaturist who had embodied the idea in pen and ink, but against the possible truth that the idea represented. Was it really the case that people grew in time to resemble the animals they kept as pets, and had he unconsciously become more and more like the comically solemn bird that was his constant companion? Groby was unusually silent as he walked to the train with his escort of chattering nephews and nieces, and during the short railway journey his mind was more and more possessed with an introspective conviction that he had gradually settled down into a sort of parrot-like existence. What, after all, did his daily routine amount to but a sedate meandering and pecking and perching, in his garden, among his fruit trees, in his wicker chair on the lawn, or by the fireside in his library? And what was the sum total of his conversation with chance-encountered neighbours? “Quite a spring day, isn’t it?” “It looks as though we should have some rain.” “Glad to see you about again; you must take care of yourself.” “How the young folk shoot up, don’t they?” Strings of stupid, inevitable perfunctory remarks came to his mind, remarks that were certainly not the mental exchange of human intelligences, but mere empty parrot-talk. One might really just as well salute one’s acquaintances with “Pretty polly. Puss, puss, miaow!” Groby began to fume against the picture of himself as a foolish feathered fowl which his nephew’s sketch had first suggested, and which his own accusing imagination was filling in with such unflattering detail.

“I’ll give the beastly bird away,” he said resentfully; though he knew at the same time that he would do no such thing. It would look so absurd after all the years that he had kept the parrot and made much of it suddenly to try and find it a new home.

“Has my brother arrived?” he asked of the stable-boy, who had come with the pony-carriage to meet him.

“Yessir, came down by the two-fifteen. Your parrot’s dead.” The boy made the latter announcement with the relish which his class finds in proclaiming a catastrophe.

“My parrot dead?” said Groby. “What caused its death?”

“The ipe,” said the boy briefly.

“The ipe?” queried Groby. “Whatever’s that?”

“The ipe what the Colonel brought down with him,” came the rather alarming answer.

“Do you mean to say my brother is ill?” asked Groby. “Is it something infectious?”

“Th’ Colonel’s so well as ever he was,” said the boy; and as no further explanation was forthcoming Groby had to possess himself in mystified patience till he reached home. His brother was waiting for him at the hall door.

“Have you heard about the parrot?” he asked at once. “‘Pon my soul I’m awfully sorry. The moment he saw the monkey I’d brought down as a surprise for you he squawked out ‘Rats to you, sir!’ and the blessed monkey made one spring at him, got him by the neck and whirled him round like a rattle. He was as dead as mutton by the time I’d got him out of the little beggar’s paws. Always been such a friendly little beast, the monkey has, should never have thought he’d got it in him to see red like that. Can’t tell you how sorry I feel about it, and now of course you’ll hate the sight of the monkey.”

“Not at all,” said Groby sincerely. A few hours earlier the tragic end which had befallen his parrot would have presented itself to him as a calamity; now it arrived almost as a polite attention on the part of the Fates.

“The bird was getting old, you know,” he went on, in explanation of his obvious lack of decent regret at the loss of his pet. “I was really beginning to wonder if it was an unmixed kindness to let him go on living till he succumbed to old age. What a charming little monkey!” he added, when he was introduced to the culprit.

The new-comer was a small, long-tailed monkey from the Western Hemisphere, with a gentle, half-shy, half-trusting manner that instantly captured Groby’s confidence; a student of simian character might have seen in the fitful red light in its eyes some indication of the underlying temper which the parrot had so rashly put to the test with such dramatic consequences for itself. The servants, who had come to regard the defunct bird as a regular member of the household, and one who gave really very little trouble, were scandalized to find his bloodthirsty aggressor installed in his place as an honoured domestic pet.

“A nasty heathen ipe what don’t never say nothing sensible and cheerful, same as pore Polly did,” was the unfavourable verdict of the kitchen quarters.

. . . . . . . . .

One Sunday morning, some twelve or fourteen months after the visit of Colonel John and the parrot-tragedy, Miss Wepley sat decorously in her pew in the parish church, immediately in front of that occupied by Groby Lington. She was, comparatively speaking a new- comer in the neighbourhood, and was not personally acquainted with her fellow-worshipper in the seat behind, but for the past two years the Sunday morning service had brought them regularly within each other’s sphere of consciousness. Without having paid particular attention to the subject, she could probably have given a correct rendering of the way in which he pronounced certain words occurring in the responses, while he was well aware of the trivial fact that, in addition to her prayer book and handkerchief, a small paper packet of throat lozenges always reposed on the seat beside her. Miss Wepley rarely had recourse to her lozenges, but in case she should be taken with a fit of coughing she wished to have the emergency duly provided for. On this particular Sunday the lozenges occasioned an unusual diversion in the even tenor of her devotions, far more disturbing to her personally than a prolonged attack of coughing would have been. As she rose to take part in the singing of the first hymn, she fancied that she saw the hand of her neighbour, who was alone in the pew behind her, make a furtive downward grab at the packet lying on the seat; on turning sharply round she found that the packet had certainly disappeared, but Mr. Lington was to all outward seeming serenely intent on his hymnbook. No amount of interrogatory glaring on the part of the despoiled lady could bring the least shade of conscious guilt to his face.

“Worse was to follow,” as she remarked afterwards to a scandalized audience of friends and acquaintances. “I had scarcely knelt in prayer when a lozenge, one of my lozenges, came whizzing into the pew, just under my nose. I turned round and stared, but Mr. Lington had his eyes closed and his lips moving as though engaged in prayer. The moment I resumed my devotions another lozenge came rattling in, and then another. I took no notice for awhile, and then turned round suddenly just as the dreadful man was about to flip another one at me. He hastily pretended to be turning over the leaves of his book, but I was not to be taken in that time. He saw that he had been discovered and no more lozenges came. Of course I have changed my pew.”

“No gentleman would have acted in such a disgraceful manner,” said one of her listeners; “and yet Mr. Lington used to be so respected by everybody. He seems to have behaved like a little ill-bred schoolboy.”

“He behaved like a monkey,” said Miss Wepley.

Her unfavourable verdict was echoed in other quarters about the same time. Groby Lington had never been a hero in the eyes of his personal retainers, but he had shared the approval accorded to his defunct parrot as a cheerful, well-dispositioned body, who gave no particular trouble. Of late months, however, this character would hardly have been endorsed by the members of his domestic establishment. The stolid stable-boy, who had first announced to him the tragic end of his feathered pet, was one of the first to give voice to the murmurs of disapproval which became rampant and general in the servants’ quarters, and he had fairly substantial grounds for his disaffection. In a burst of hot summer weather he had obtained permission to bathe in a modest-sized pond in the orchard, and thither one afternoon Groby had bent his steps, attracted by loud imprecations of anger mingled with the shriller chattering of monkey-language. He, beheld his plump diminutive servitor, clad only in a waistcoat and a pair of socks, storming ineffectually at the monkey which was seated on a low branch of an apple tree, abstractedly fingering the remainder of the boy’s outfit, which he had removed just out of has reach.

“The ipe’s been an’ took my clothes;” whined the boy, with the passion of his kind for explaining the obvious. His incomplete toilet effect rather embarrassed him, but he hailed the arrival of Groby with relief, as promising moral and material support in his efforts to get back his raided garments. The monkey had ceased its defiant jabbering, and doubtless with a little coaxing from its master it would hand back the plunder.

“If I lift you up,” suggested Groby, “you will just be able to reach the clothes.”

The boy agreed, and Groby clutched him firmly by the waistcoat, which was about all there was to catch hold of, and lifted, him clear of the ground. Then, with a deft swing he sent him crashing into a clump of tall nettles, which closed receptively round him. The victim had not been brought up in a school which teaches one to repress one’s emotions–if a fox had attempted to gnaw at his vitals he would have flown to complain to the nearest hunt committee rather than have affected an attitude of stoical indifference. On this occasion the volume of sound which he produced under the stimulus of pain and rage and astonishment was generous and sustained, but above his bellowings he could distinctly hear the triumphant chattering of his enemy in the tree, and a peal of shrill laughter from Groby.

When the boy had finished an improvised St. Vitus caracole, which would have brought him fame on the boards of the Coliseum, and which indeed met with ready appreciation and applause from the retreating figure of Groby Lington, he found that the monkey had also discreetly retired, while his clothes were scattered on the grass at the foot of the tree.

“They’m two ipes, that’s what they be,” he muttered angrily, and if his judgment was severe, at least he spoke under the sting of considerable provocation.

It was a week or two later that the parlour-maid gave notice, having been terrified almost to tears by an outbreak of sudden temper on the part of the master anent some underdone cutlets. “‘E gnashed ‘is teeth at me, ‘e did reely,” she informed a sympathetic kitchen audience.

“I’d like to see ‘im talk like that to me, I would,” said the cook defiantly, but her cooking from that moment showed a marked improvement.

It was seldom that Groby Lington so far detached himself from his accustomed habits as to go and form one of a house-party, and he was not a little piqued that Mrs. Glenduff should have stowed him away in the musty old Georgian wing of the house, in the next room, moreover, to Leonard Spabbink, the eminent pianist.

“He plays Liszt like an angel,” had been the hostess’s enthusiastic testimonial.

“He may play him like a trout for all I care,” had been Groby’s mental comment, “but I wouldn’t mind betting that he snores. He’s just the sort and shape that would. And if I hear him snoring through those ridiculous thin-panelled walls, there’ll be trouble.”

He did, and there was.

Groby stood it for about two and a quarter minutes, and then made his way through the corridor into Spabbink’s room. Under Groby’s vigorous measures the musician’s flabby, redundant figure sat up in bewildered semi-consciousness like an ice-cream that has been taught to beg. Groby prodded him into complete wakefulness, and then the pettish self-satisfied pianist fairly lost his temper and slapped his domineering visitant on the hand. In another moment Spabbink was being nearly stifled and very effectually gagged by a pillow-case tightly bound round his head, while his plump pyjama’d limbs were hauled out of bed and smacked, pinched, kicked, and bumped in a catch-as-catch-can progress across the floor, towards the flat shallow bath in whose utterly inadequate depths Groby perseveringly strove to drown him. For a few moments the room was almost in darkness: Groby’s candle had overturned in an early stage of the scuffle, and its flicker scarcely reached to the spot where splashings, smacks, muffled cries, and splutterings, and a chatter of ape-like rage told of the struggle that was being waged round the shores of the bath. A few instants later the one-sided combat was brightly lit up by the flare of blazing curtains and rapidly kindling panelling.

When the hastily aroused members of the house-party stampeded out on to the lawn, the Georgian wing was well alight and belching forth masses of smoke, but some moments elapsed before Groby appeared with the half-drowned pianist in his arms, having just bethought him of the superior drowning facilities offered by the pond at the bottom of the lawn. The cool night air sobered his rage, and when he found that he was innocently acclaimed as the heroic rescuer of poor Leonard Spabbink, and loudly commended for his presence of mind in tying a wet cloth round his head to protect him from smoke suffocation, he accepted the situation, and subsequently gave a graphic account of his finding the musician asleep with an overturned candle by his side and the conflagration well started. Spabbink gave HIS version some days later, when he had partially recovered from the shock of his midnight castigation and immersion, but the gentle pitying smiles and evasive comments with which his story was greeted warned him that the public ear was not at his disposal. He refused, however, to attend the ceremonial presentation of the Royal Humane Society’s life-saving medal.

It was about this time that Groby’s pet monkey fell a victim to the disease which attacks so many of its kind when brought under the influence of a northern climate. Its master appeared to be profoundly affected by its loss, and never quite recovered the level of spirits that he had recently attained. In company with the tortoise, which Colonel John presented to him on his last visit, he potters about his lawn and kitchen garden, with none of his erstwhile sprightliness; and his nephews and nieces are fairly well justified in alluding to him as “Old Uncle Groby.”


Saturday, January 5, 2019

Sha-na-na-na-na-na-na-na kneel....

Guns'n'roses, I believe, is one of the most unfortunate groups on the planet. They have a semi-violent name. Many of their songs are dirty. Axl loves to drop the four letter word and its many combinations in their songs. He even found a way to garnish Dylan's song writing skills with a four letter word in "Knocking on heaven's door". Yet they are known to most people for "November Rain" and "Sweet child of mine". To add insult to injury, the second song was covered by Sheryl Crow, quite well too. I have heard so many people say they love GnR for the above mentioned songs "Wow! GnR! What a wonderful group! Have you heard "November Rain"? Slash's guitaring is the best man". 

I stayed a good distance from GnR through the 90s. Towards the end of the decade, century and millennium I finally bought a GnR CD. It was, hold on to your chair, their singles release of "November rain" with three songs, namely, "November rain", "Sweet child of mine" and "Patience". Yeah, I know. That's me, the perfect hypocrite. My first GnR CD consisted of their three softest songs.

Their first album "Appetite for Destruction" was a mind blower. The opening of the "Welcome to the Jungle" is probably the best opening for any album (except maybe "Machine Head" by Deep Purple). Except for the song "Sweet Child of mine" most songs are raw and at most times brutal. "Paradise City" is an anthemic, fun and yet not exactly a clean number. I had heard the songs in the album many times before I listened to it with focus from the start to end. That is when I realized the greatness of GnR. 

But "Appetite for Destruction" was not the first album that turned my attention to GnR. Somewhere among my music collection lay the double the album "Use your illusions". The first time I listened to it, I realized that Axl Rose is probably the best rock singer on this planet. I have the felt the same for a few other singers (Ian Gillian, Mike Patton and Serj Tankian) but the edginess that Axl brings to his voice is something that no one has. A song from the album forced me to write this piece. It has him shouting or screaming "waaaaaaaarrrrrr". That is probably the most effective way to sing the word war. Funnily, Axl's ability to sing in two voices reminded me of M.R.Radha. The actor put it to great use in his movies and it made him seem like a rock star of the Tamil movies. Axl, without doubt, is a rockstar. I realize that he is a prick but he is a prick with a beautiful voice.

That's bring me to my crib with people. Most people I have noticed talk about Slash and his guitars. Slash is a dude and a fantastic guitarist too.  But for me GnR is about Axl. His voice and style of singing is unlike anything I have heard and I hear a lot of rock and metal. John Fogerty during the Creedence Clearwater Revival days had a gentlemanly version of the menace. His singing in "Fortunate Son" could probably be considered an influence for Axl's singing. Axl's got attitude too and it comes out plenty in the videos too. I consider him to be the perfect front man for a rock or metal group. When one talks about GnR, one talks about him and goes no further.


Isn't "Civil War" an amazing song? It has a message and it starts and end beautifully. I love the way Wah-Wah guitars (I think) sound when Axl says the line "What's so civil about war?" I am not a lyrics person and so never bothered to listen to the lyrics of this song. But the way the song sounded I knew it had to be important. Even today, I don't care too much about the lyrics as good as they are. Black Sabbath had sang so effectively against war in 1970. How can anyone better that with lyrics? So its all about the structuring of the song and Axl's attitude. 

I wish more people on this planet listened to songs like this. Instead they are stuck in their sliver of music taste. They don't venture out of their Semmangudis, Joshis, Burmans, Illaiyarajas, Rahmans and Bachs. They don't even listen to fusion groups like Shakthi. It's a shame, for every genre has good music, musicians and lyricists. These are people who have the imagination and creativity to come up with something original. I don't like Hip Hop but how can one not like Eminem's songs or Childish Gambino's "This is America". If one loves music, one has to listen and appreciate everything good and not be stuck in Sa-Re-Ga-Mas or Do-Re-Mes. Of course, its their lives and they have every right to like what they want and think of everything else as noise. In that case, the question in my mind is "Why do you strut around considering yourself an expert in music?"

The unbridled passion displayed by the people involved in rock and metal music is tough to resist. While I am sure every musician is passionate about his or her form of music. This comes to the fore in the case of rock and metal. Many of the great songs are written and composed by young people. Their ability to think up something deep and complex amazes me. The different instruments and the voice coming together perfectly is something beyond my comprehension. And then these fellows get on to the stage. Their antics on the stage makes them seem not human. They throw themselves into the song. I will never stop listening to loud music. It is sad many believe that this form of music constitute noise. If you cannot enjoy any type of music, how can you claim yourself to be lover of music. Many of you are not even willing to listen to the song. People with limited view of the world cannot claim to be all knowing.